Konzert: Ab Uno & Days Like Television

Between sonic critique and meditative self-sabotage, AB UNO’s dronetemporal drift is to be read as an anthropological study: looking for answers in the past we can find the future, returning to being a ‘plural one’ as the primal feeling of the cosmos indicates, opening a door to a deeper state of consciousness. Born in Berlin in 2016, Eugenio Petrarca and Roberto Di Ciaccio’s project fuses experimental music made of drifting analogue oscillations to modular

synthesiser resonances, withexotic field-recordings and organic visual progressions that buildimmersive minimalist atmospheres.After the experience between Colombia, Sierra Nevada and Balirendered tribal landscape field recordings (as in the previous La LineaNegra on Rohs! /Lontano Series, Medewi for Musica Stampata andthe self-produced Lost World), in Les Gens de Mogador, released inJuly 2022 by Dornwald Records, the journey continues to Essaouira,on the Atlantic coast of Morocco, continuing the path of a soundanthropology and enriched with visual materials, in the collaboration withthe Waxaw Ethno Roots collective that captured the album’s protodocumentarydimension.

Daniel Bryden (b. 1997) is an artist and experimental musician based in Berlin and Newcastle Upon Tyne. He releases music as Days Like Television.

His practice critically engages with the edges of language and identity; using fragmented storytelling, digital manipulations, and improvisation to create visceral works across mediums.

He graduated from Newcastle University with a Contemporary Music BA in 2018. Since then, he has received commissions from BBC, Brighter Sound, and Sage Gateshead, and has been supported by Arts Council England and Akademie der Künste Germany.